Short Timer

While she often pushed the envelope, Harleman is also proud of the crowd-pleasing exhibitions she mounted. One featuring the work of French impressionist master Camille Pissarro was popular and critically well received, as was "Palace of Gold and Light: Treasures from the Topkapi, Istanbul," the highest-grossing show in the history of the museum.

Harleman deserves credit for such diverse offerings, says Fort Lauderdale painter Madeline Denaro. "She had more of a contemporary, global vision for the museum. She used her vision to bring shows that blended that plus more of what the public would wish."

Still, Harleman might have been too sophisticated for an area in which public art consists primarily of blue bicycles and yellow shoes. "The viewing public is an entirely different animal than those who may appreciate art," says Sue Buzzi, executive director of the Broward Art Guild. Buzzi worked with Harleman when the BAG took over the Hortt from the museum. "Maybe the community wasn't ready," Buzzi says of Harleman's vision, "but we certainly need to open our eyes more."

For Buzzi, Harleman's stint at MoA was successful, if brief: "I think three years is not really enough time. To be fair to yourself, you really have to give it two contract sessions."

Although turnover can hinder fundraising efforts, museum board president Louise Dill isn't concerned. She says the ability to obtain grants hinges largely on the museum's programming and curriculum, which are already set for next year. "We had really wanted her to stay," Dill adds.

Harleman's decision to leave is now a done deal. "I've learned a lot," she says in a whispery voice that belies a steadfast will. "You have to listen, and you have to be prepared to make some tough decisions and take the heat for them. It's really OK ," she says contentedly, "for people to disagree with you."